Archive for Weekly Tips

Tips for Your iPhone Home Button

Today, we have some tips for your iPhone, since so many are using their iPhones to take pictures.

Your iPhone’s home button has a whole bunch of uses that vary depending on your location and how many times you press it in succession. Here’s a look at (practically) all of them.

Single Press

Pressing the home screen button once while on your first home screen page will take you to the search page. When on the search page, pressing it will take you back to the first page. If you’re on the second, third, fourth page (or higher), a single press of the home button will return you to the first page. When your phone is locked, a single tap will bring up the lock screen. If you’re in an app, pressing the home button will take you to the home screen (surprise!). Finally, if you press and hold the home button you’ll initiate voice control.

Double Press

Pressing the home button twice while on the lock screen will bring up your iPod controls. Doing that on any other screen will bring up the multitasking bar where you can access apps and settings.

Triple Press

Triple press is reserved for accessibility options. You can set them as you like by going into Settings -> General -> Accessibility -> Triple-click Home.

SpyderGallery: Color Calibration Now a Reality for Your iPad, and Free

SpyderGallery: Color Calibration Now a Reality for Your iPad, and Free

By David Saffir, Instructor at the SCV Center for Photography

Almost any photographer who owns an iPad enjoys its form factor, usability, and overall coolness. But color on the iPad is something of a mystery that raises a few questions—does it use the sRGB color space? (no) Something else? (yes) Can it be calibrated? (finally: yes, it can!).

A new product from Datacolor, SpyderGallery, makes it dead easy to calibrate your iPad—versions 1 or 2—and the results are noticeably better: image quality, color accuracy, saturation, shadow detail, and detail in highly saturated areas are improved, within the constraints of the iPad color range of course. It uses an existing screen calibration instrument from Datacolor, the Spyder3, and some new, and unique, software applications.

It’s an elegant setup. Download the free SpyderGallery app to your iPad, and download the corresponding software to your desktop machine. Connect your Spyder3 to the host computer. Enable your wireless network, and connect the iPad and the host computer to the same wireless network.

SpyderGallery will show you a pop-up screen that asks which wireless network you want to use. Specify the network that includes the host/desktop.

From the SpyderGallery opening screen, choose Calibrate Viewer. Make sure you’ve plugged your Spyder3 into the USB port on the host computer, and place the device in the outline on the iPad screen.

When you start the application, the host computer and the iPad communicate wirelessly. The instrument and the host computer communicate via the USB cable.

The next screen, System Setup, makes sure you’ve installed the desktop/host application, and that you’ve connected the Spyder colorimeter to the host via a USB port.

When you press OK, the app loaded on the iPad communicates wirelessly with the host application, and USB for the Spyder.

The next screens will prompt you to place the colorimeter on the iPad screen, and press OK.

A Reading In Progress status will pop up and the app goes through a series of color patches, read by the colorimeter. Voila! Your iPad is calibrated!

The application does not generate an ICC profile. Instead, it creates its color corrections pixel by pixel. The results are remarkably effective. I could easily see the difference even though it’s working within the constraints of the iPad color range.

When calibration is completed, you can view your images through the included Viewer, which includes an on/off slider that lets you see the image with calibration enabled, and disabled.

Note that Datacolor provides an on/off slider (lower right in each screen shot) so you can compare before and after.

I see improvements in my own images in shadow detail, neutrality, color accuracy, and detail in highly saturated areas. This doesn’t turn your iPad into the equal of your desktop display—that’s not possible given the limits built into the iPad—but I’m much more comfortable showing my images to a client when the screen is calibrated. In fact, I had a chance to try this out just last week, and the results were satisfying, to say the least. Better images build credibility with clients, after all. This is a unique tool, effective and easy to use. Well worth the download and minimal effort.

To learn more about this hot new product, join David for his workshop, “Mastering Creative Color” on Saturday, June 11th from 1pm to 4:30pm at the SCV Center for Photography.  Cost of the workshop is $79, and if you have an iPad, bring it and David will color calibrate for you.

David Saffir is a photographer, fine art printmaker, and author. He lives in Santa Clarita, just outside Los Angeles, California. His blog address is davidsaffir.wordpress.com.

Japan Earthquake affects Photo Industry

With scores of factories and corporate headquarters around the country, the Japanese photo industry has been severely disrupted by Friday’s earthquake, tsunami, and nuclear crisis.

As of this writing, it looks like there were no serious injuries or fatalities among employees of Japanese camera and consumer electronics companies. We will continue to monitor the situation and update this report as needed.

While most companies report that they are still assessing the damage caused by the most powerful quake in Japanese history, it seems that there have been no deaths, and injuries to camera company employees. Structural damage to company facilities vary. Most companies are subject to rolling blackouts that are being imposed by the Japanese power authorities due to the evolving crisis at the nuclear power plants.

The following is an updated run-down of how the quake has effected manufacturers of photographic and other related products.

Epson announced that the Color Imaging Exhibition trade show, which was planned for March 19-21 in Tokyo, has been cancelled due to the crisis. Epson reports that while no casualties were reported at its facilities, one of its factories was hit by a one-meter tsunami, while three other facilities have been temporarily shut due to rolling blackouts as a result of the quake. Two buildings that are within 16km from the Fukushima nuclear plant have sustained some damage and are being shut for now.

Sony was hardest hit. Japan’s biggest exporter of consumer electronics, and a growing player in the still photography world, was forced to stop operations at ten factories and two research centers due to quake-related damage and power outages caused by emergencies at nuclear power plants. 1,000 Sony employees reportedly took shelter on the second floor of a nearby chemical products factory.

Nikon has confirmed light injuries to some of its employees but no serious or fatal injuries. Nikon’s Sendai factory, which manufactures the D3S, D3X, D700 and F6, has been forced to close due to damage to equipment and buildings. Work at at least three other facilities has been temporarily suspended so the company can assess damage.

Canon has suspended operations at eight factories located in Northern Japan, and reports at least 15 employees were injured. The company said it may move some production to other factories that weren’t damaged.

Olympus‘s photographic division was not affected by the quake, but some emplyees at other locations sustained minor injuries, possibly in the company’s endoscopy-related business. Japanese-language press releases indicate that a repair facility is expected to resume operations in 2-4 weeks.

A Sigma employee tweeted that there has been some damage to machinery and the building at Sigma’s Aizu factory, but no injuries. Due to the rolling blackouts, Sigma has decided to suspend operations in two of its facilities.

Ricoh reports no injuries. Five of its facilities have stopped operations and four have no set plan to reopen.

Fujifilm reports that its Taiwa-Cho factory, which is located 20 miles from Sendai, was damaged by the quake, but fortunately none of the workers were reported injured. Production of the FinePix X100, which was being done at that factory, has been temporarily stopped and delays can be expected for this highly-anticipated camera. The company says the rest of its operation is not affected.

Hoya Corporation, which owns Pentax, reports that several employees were slightly injured but none seriously. Some production facilities were damaged, although the company is still trying to assess. It isn’t known how the camera and lens facilities have been effeccted but due to traffic problems and blackouts, production has been disrupted.

Casio reports no major injuries, and the company is currently trying to ascertain the condition of its facilities. In the meantime, business activities are expected to be disrupted due to rolling blackouts.

In a statement, Tamron reports no structural damage or injuries, but the rolling blackouts and severely curtailed train service have caused the company to close its facilities for at least the next few days.

Panasonic reports minor injuries in one of its northern Japan factories, in Fukushima, where production of Lumix digital cameras has been suspended. The company is evaluating damage and says the long-term effect is still being determined.

Sandisk, whose facilities are 500 miles from the epicenter, appears to have escaped unharmed. The factories were shut immediately after the quake, but resumed opearations by Friday morning.

However, due to possible meltdowns at several of Japan’s nuclear reactors, the Japanese government has instituted rolling blackouts, which are disrupting companies even if they were not otherwise affected by the quake or tzunami.

The tsunami has also destroyed many freighter ships, some of which may have been preparing to ship photographic equipment to destinations around the world. This situation is currently being assessed by the companies, but it is likely there will be shortages of some gear as a result.

Epson, Canon, Panasonic, Sony, Ricoh and Nikon have all reported that they have donated hundreds of millions of Yen to the relief effort and are contributing in other tactical ways to help survivors.

This report was based on information published by TIPA, Amateur Photographer, Reuters, and statements from several manufacturers.

Studio Now offers SRs Strobes and Triggers For Sale

In an effort to bring great products at reasonable prices to our fellow photographers and students, we are now offering the SRs Flash, SRs Small Triggers and SRs Video Lights for sale here at the studio.  I have been using all of these products and have been very impressed and happy with the results.  In a partnership with Scott Robert Lim, we are now selling the above products immediately for purchase.  Details of each of the products are as follows:

SRs Tiny Triggers  $229

The absolute best small format triggers on the market- small, simple, reliable, affordable! Say goodbye to extra cords, trigger caddies, bulky set-ups. Tiny Trigger Set includes 1 Transmitter and 3 Receivers. THIS SET WILL CONTROL UP TO THREE HOT SHOE STROBES OF ANY BRAND.

These triggers have been rigorously tested by professional photographers around the world with rave reviews- outperforming popular modes yet at a fraction of the price. They are extremely dependable and easy to use. Every kit uses four independent channels so each transmitter can control its own flash group.

Technical Parameters:
Transmitter
Receiver
Power Source
23A – Transmitter
AAA x2- Receiver
Outdoor operating distance (open area) > 200 ft
Indoor operating distance > 30ft
Frequency Channels – 4
Operating Frequency – FM 433Mhz
Outdoor Synchronous Speed (open area)- Max 1/500sec
Indoor Synchronous Speed – Max 1/250sec
Instructions Included

This product comes with a limited one year USA Warranty

SRs Strobie 130 Flash  $139

The Strobie 130 is the best affordable compact flash.  It has very powerful GN128 at 35mm with an extremely fast recycle time- better than 4 sec on a fresh set of batteries. This flash will work on any camera with a standard hotshoe in MANUAL MODE. This is not a TTL flash. Perfect for the strobist who wants precise manual control for the ultimate creative lighting set-ups. Flash can also be triggered in slave mode- will fire when it “sees” another flash go off but needs a line of sight in this mode, no trigger necessary.   A durable low cost/high value flash and perfect for multi-light set ups.

Features:

Compact Size
GN128- pro quality power!
Full to 1/64 (7 stops)
Recycle time < 4 sec max with fresh batteries
Scott Robert Flash Guide Calculator- quickly compute flash exposure
Slave mode- will trigger when is “sees” another flash
White bounce card
Diffuser filter for wide angle coverage
Includes: mini flash stand, protective pouch

SRs Killer Video Light   $229

This is an amazing video light that with 126 LEDs perfectly calibrated to 5400k to simulate sunlight. The light is big and soft- perfect for portraits, detail images, etc. This would be the perfect companion for low light, high ISO situations or if you just want to add catchlights in the eyes when shooting in a shaded area. Using a constant light source is the best way to see and set up light because you can see exactly the results you want. Try using this light with a shoot through umbrella or diffuser panel, it will create very soft light and very usable at ISO 800 and above. This is the video light if perfect of the photographer that likes to shoot wide open at very large apertures like 1.4/1.8, etc. Videographers and fusion photographers who shoot video will make use of the this amazing mini light panel that can produce big results. The impressive run time on this light will keep you going for hours instead of minutes as with other popular video lights- say goodbye to heavy battery packs!

Features:
-126 LEDs
-Brightness control dial
-Diffuser panel: Clear and 3600K
-Cold shoe mount
-Power gage- 4 LED indicator
-Multi-power source: AA x 6, CGR-D16S, NP-FJ70, NP-FM55H, NP-F550
-70-90 min run time at full power.
-Mini Stand

This video light is very comparable to popular brands selling for more than twice the price.  It comes with a one year USA warranty.

So drop on in to the studio and check out the next products and they are available for immediate purchase at the SCV Center for Photography.

If you interested in seeing Scott Robert Lim, he will be here on March 12th for Off-Camera Flash workshop from 1pm to 4pm.  Cost is $10 and you must pre-register and pay as a very limited number of seats remain.

Tip of the Week – Facebook Images

Facebook now provides a “Download” link for photos that you post.  If you upload large images and rely on Facebook to downsize it, a rather high-resolution version is made available that others can download. As a test, an 4,288×2848-pixel test image was uploaded to Facebook and from that image, you were able to download a 2,048×1,360-pixel version of it from the Facebook album.  Consider adding a copyright watermark and your company name to images that you post, or you should at least only upload very small files at 72 dpi.

Canon Announces New Rebel T3

The Rebel T3 is a replacement for the 2.5 year old Rebel XS model, and incorporates quite a range of updates to bring the camera up to date in the company’s line.  the new Rebel T3 has increased the sensor resolution to twelve megapixels.  Also new in the Rebel T3 is a nine-point AF system.   The Rebel T3 also now supports the latest generation SDXC cards, including the very cool Eye-Fi cards, and includes a greater selection of reduced resolution shooting options.

The Rebel T3 also has a much wider ISO sensitivity range of 100 to 6,400 equivalents, an expanded +/-5 EV exposure compensation range, an adjustable Auto Lighting Optimization function, and the Highlight Tone Priority mode seen on many recent Canon DSLRs.  It also adds high-def 720p movie shooting capability, HDMI video output, and a slightly larger 2.7-inch LCD display.  Not all the changes are entirely positive, though.  Burst shooting speed is barely changed at 3 frames per second, but burst depth falls to just 4-5 large/fine JPEG or two Raw frames.

The Rebel T3 ships with a new kit lens, the EF-S 18-55mm f/3.5-5.6 IS II, in a bundle priced at around US$600.  This lens’ image stabilization system is said to offer a four-stop improvement.  the new Rebel T3 should be in stores around March 2011.

So once you purchase that new Rebel T3, head on over to the SCV Center for Photography and sign-up for our Basic DSLR Camera workshops and we will help you get started.

Mel Carll awarded “2010 Image of the Year” from PPLAC

It has certainly been an interesting and exciting year, and last night was one of the high points, as our image “Beauty from Behind” created by Mel Carll was awarded “2010 Image of the Year” by the Professional Photographers of Los Angeles County (PPLAC) during their January 2011 meeting.  The image was created at the SCV Center for Photography studio, and has won several awards this past year, including a “Best of Show”.

Beauty_from_Behind_Mel_Carll

100 Watt incandescent light bulbs phase out

It has been reported that California is phasing out conventional 100 watt incandescent light bulbs almost a year earlier that what the Federal Government has mandated.  Stores in California are allowed to sell out their remaining inventory, but once they are gone, they are gone for good.  You if you really like the old-school 100-watt light bulbs, you better stock up as the current inventories are expected to be gone before summer, but note that as much as 90% of the energy of the old fashion incandescent bulb is wasted as heat and not light.

The new 100 watt light bulbs are actually more energy efficient using only 77 watts to generate 100 watts of light, thus reducing energy consumption, which of course is better for the planet and our wallets.

Also note that next year California starts phasing out the 75 watt bulb and the 60 watt bulb in 2013.

Looking again at Composition

When you are out on location it is very easy to get caught up in the moment of taking photos and you forget to look at your composition and what is happening within the frame.

It is very easy to miss the unwanted items within your image, so you need to check you viewfinder and make sure there is nothing in your frame that will require you to remove it in Photoshop.

Make sure your horizon is straight, as it is very easy to tilt your image is you are not using a tripod, or if you are using a tripod, that it is level.  If needed, you can get a bubble level that slips onto your hotshoe to assist you getting a straight horizon.

And lastly, consider your depth of field, and the control you want with you foreground and background.  It is much easier to determine this in the field and select the aperture in the field, than it is to blur an image in Photoshop.

So just be aware of what is going in your image before you snap the shutter…..

If you need additional assistance, we offer Basic and Intermediate Camera workshops at the SCV Center for Photography.  See our workshop schedules for more information.

It’s not what you have, but how you use it

I hear so many beginning photographers that come through our workshops talk about how you need to spend thousands of dollars in order to take great pictures.  But in reality, the equipment is just the vehicle  that helps you create the photograph.  Yes, certain cameras have different functions, or handle things better or worse, but all of the current DSLR’s give you the basic functions to take that photograph.  No question, having a wider range of lenses and accessories helps, but acquire those items over time as you find what interests you and while you are learning and growing as a photographer.

So take your time in buying equipment, so that you only buy an item once.  As you grow as a photographer, let your creativity tell you what equipment is necessary in capturing the photographs that move you, thus not purchasing equipment that will just sit in a camera bag.