Archive for Photography

Fall Colors

Here is an image that shows the great fall colors of the Mid-West that we just don’t get to enjoy in California.  Image was processed using the various filters of Nik Software Color Efex Pro 4.  If you do not own this, do not hesitate to purchase at www.niksoftware.com  You can use the discount code SCVPHOTOCENTER to receive 15% off your purchase of any Nik product.

Fall Leaves GR

Holiday Family Portraits

It is time to get your Holiday Family Portraits.  Here is image from our most recent studio session…..

20111111-_MEL6719

Scott Robert Lim will teach Off-Camera Flash on November 10th at SCV Center for Photography

Come join the SCV Center for Photography in welcoming back Scott Robert Lim.  He will be in the studio on Thursday, November 10th from 7pm to 10pm teaching his high energy Off-Camera Flash workshop.  When Scott was last here in the studio his workshop sold out, so don’t miss out on this incredible deal.  Cost will be $20, and payment must be made in advance to reserve your spot.

Scott is a master photographer and internationally renowned photographer having taught all over the world.  He is one of America’s top[ photography educators, having had his work published in books and magazines all over the world.

ARTree Project Images up in Newhall, CA

We are so pleased to announce that the ARTree project we worked on is now up in downtown Newhall.  We worked with 3 kids to assist in learning about photography and assisted them in shooting 13 kids.  We took over 1,000 images that day.  I then took those images and selected the best images.  I then converted those images to black & white, and then increased the file size so they could be enlarged to fit on the side on a building….  Attached is the final project.  If you are in Newhall on Railroad Ave, take a look….

Concerts in the Park Images

We had the pleasure of shooting Boogie Nights at Central Park in Santa Clarita.  What a fun band and they had the crowd rocking….

Tips for Your iPhone Home Button

Today, we have some tips for your iPhone, since so many are using their iPhones to take pictures.

Your iPhone’s home button has a whole bunch of uses that vary depending on your location and how many times you press it in succession. Here’s a look at (practically) all of them.

Single Press

Pressing the home screen button once while on your first home screen page will take you to the search page. When on the search page, pressing it will take you back to the first page. If you’re on the second, third, fourth page (or higher), a single press of the home button will return you to the first page. When your phone is locked, a single tap will bring up the lock screen. If you’re in an app, pressing the home button will take you to the home screen (surprise!). Finally, if you press and hold the home button you’ll initiate voice control.

Double Press

Pressing the home button twice while on the lock screen will bring up your iPod controls. Doing that on any other screen will bring up the multitasking bar where you can access apps and settings.

Triple Press

Triple press is reserved for accessibility options. You can set them as you like by going into Settings -> General -> Accessibility -> Triple-click Home.

SpyderGallery: Color Calibration Now a Reality for Your iPad, and Free

SpyderGallery: Color Calibration Now a Reality for Your iPad, and Free

By David Saffir, Instructor at the SCV Center for Photography

Almost any photographer who owns an iPad enjoys its form factor, usability, and overall coolness. But color on the iPad is something of a mystery that raises a few questions—does it use the sRGB color space? (no) Something else? (yes) Can it be calibrated? (finally: yes, it can!).

A new product from Datacolor, SpyderGallery, makes it dead easy to calibrate your iPad—versions 1 or 2—and the results are noticeably better: image quality, color accuracy, saturation, shadow detail, and detail in highly saturated areas are improved, within the constraints of the iPad color range of course. It uses an existing screen calibration instrument from Datacolor, the Spyder3, and some new, and unique, software applications.

It’s an elegant setup. Download the free SpyderGallery app to your iPad, and download the corresponding software to your desktop machine. Connect your Spyder3 to the host computer. Enable your wireless network, and connect the iPad and the host computer to the same wireless network.

SpyderGallery will show you a pop-up screen that asks which wireless network you want to use. Specify the network that includes the host/desktop.

From the SpyderGallery opening screen, choose Calibrate Viewer. Make sure you’ve plugged your Spyder3 into the USB port on the host computer, and place the device in the outline on the iPad screen.

When you start the application, the host computer and the iPad communicate wirelessly. The instrument and the host computer communicate via the USB cable.

The next screen, System Setup, makes sure you’ve installed the desktop/host application, and that you’ve connected the Spyder colorimeter to the host via a USB port.

When you press OK, the app loaded on the iPad communicates wirelessly with the host application, and USB for the Spyder.

The next screens will prompt you to place the colorimeter on the iPad screen, and press OK.

A Reading In Progress status will pop up and the app goes through a series of color patches, read by the colorimeter. Voila! Your iPad is calibrated!

The application does not generate an ICC profile. Instead, it creates its color corrections pixel by pixel. The results are remarkably effective. I could easily see the difference even though it’s working within the constraints of the iPad color range.

When calibration is completed, you can view your images through the included Viewer, which includes an on/off slider that lets you see the image with calibration enabled, and disabled.

Note that Datacolor provides an on/off slider (lower right in each screen shot) so you can compare before and after.

I see improvements in my own images in shadow detail, neutrality, color accuracy, and detail in highly saturated areas. This doesn’t turn your iPad into the equal of your desktop display—that’s not possible given the limits built into the iPad—but I’m much more comfortable showing my images to a client when the screen is calibrated. In fact, I had a chance to try this out just last week, and the results were satisfying, to say the least. Better images build credibility with clients, after all. This is a unique tool, effective and easy to use. Well worth the download and minimal effort.

To learn more about this hot new product, join David for his workshop, “Mastering Creative Color” on Saturday, June 11th from 1pm to 4:30pm at the SCV Center for Photography.  Cost of the workshop is $79, and if you have an iPad, bring it and David will color calibrate for you.

David Saffir is a photographer, fine art printmaker, and author. He lives in Santa Clarita, just outside Los Angeles, California. His blog address is davidsaffir.wordpress.com.

Japan Earthquake affects Photo Industry

With scores of factories and corporate headquarters around the country, the Japanese photo industry has been severely disrupted by Friday’s earthquake, tsunami, and nuclear crisis.

As of this writing, it looks like there were no serious injuries or fatalities among employees of Japanese camera and consumer electronics companies. We will continue to monitor the situation and update this report as needed.

While most companies report that they are still assessing the damage caused by the most powerful quake in Japanese history, it seems that there have been no deaths, and injuries to camera company employees. Structural damage to company facilities vary. Most companies are subject to rolling blackouts that are being imposed by the Japanese power authorities due to the evolving crisis at the nuclear power plants.

The following is an updated run-down of how the quake has effected manufacturers of photographic and other related products.

Epson announced that the Color Imaging Exhibition trade show, which was planned for March 19-21 in Tokyo, has been cancelled due to the crisis. Epson reports that while no casualties were reported at its facilities, one of its factories was hit by a one-meter tsunami, while three other facilities have been temporarily shut due to rolling blackouts as a result of the quake. Two buildings that are within 16km from the Fukushima nuclear plant have sustained some damage and are being shut for now.

Sony was hardest hit. Japan’s biggest exporter of consumer electronics, and a growing player in the still photography world, was forced to stop operations at ten factories and two research centers due to quake-related damage and power outages caused by emergencies at nuclear power plants. 1,000 Sony employees reportedly took shelter on the second floor of a nearby chemical products factory.

Nikon has confirmed light injuries to some of its employees but no serious or fatal injuries. Nikon’s Sendai factory, which manufactures the D3S, D3X, D700 and F6, has been forced to close due to damage to equipment and buildings. Work at at least three other facilities has been temporarily suspended so the company can assess damage.

Canon has suspended operations at eight factories located in Northern Japan, and reports at least 15 employees were injured. The company said it may move some production to other factories that weren’t damaged.

Olympus‘s photographic division was not affected by the quake, but some emplyees at other locations sustained minor injuries, possibly in the company’s endoscopy-related business. Japanese-language press releases indicate that a repair facility is expected to resume operations in 2-4 weeks.

A Sigma employee tweeted that there has been some damage to machinery and the building at Sigma’s Aizu factory, but no injuries. Due to the rolling blackouts, Sigma has decided to suspend operations in two of its facilities.

Ricoh reports no injuries. Five of its facilities have stopped operations and four have no set plan to reopen.

Fujifilm reports that its Taiwa-Cho factory, which is located 20 miles from Sendai, was damaged by the quake, but fortunately none of the workers were reported injured. Production of the FinePix X100, which was being done at that factory, has been temporarily stopped and delays can be expected for this highly-anticipated camera. The company says the rest of its operation is not affected.

Hoya Corporation, which owns Pentax, reports that several employees were slightly injured but none seriously. Some production facilities were damaged, although the company is still trying to assess. It isn’t known how the camera and lens facilities have been effeccted but due to traffic problems and blackouts, production has been disrupted.

Casio reports no major injuries, and the company is currently trying to ascertain the condition of its facilities. In the meantime, business activities are expected to be disrupted due to rolling blackouts.

In a statement, Tamron reports no structural damage or injuries, but the rolling blackouts and severely curtailed train service have caused the company to close its facilities for at least the next few days.

Panasonic reports minor injuries in one of its northern Japan factories, in Fukushima, where production of Lumix digital cameras has been suspended. The company is evaluating damage and says the long-term effect is still being determined.

Sandisk, whose facilities are 500 miles from the epicenter, appears to have escaped unharmed. The factories were shut immediately after the quake, but resumed opearations by Friday morning.

However, due to possible meltdowns at several of Japan’s nuclear reactors, the Japanese government has instituted rolling blackouts, which are disrupting companies even if they were not otherwise affected by the quake or tzunami.

The tsunami has also destroyed many freighter ships, some of which may have been preparing to ship photographic equipment to destinations around the world. This situation is currently being assessed by the companies, but it is likely there will be shortages of some gear as a result.

Epson, Canon, Panasonic, Sony, Ricoh and Nikon have all reported that they have donated hundreds of millions of Yen to the relief effort and are contributing in other tactical ways to help survivors.

This report was based on information published by TIPA, Amateur Photographer, Reuters, and statements from several manufacturers.

Studio Now offers SRs Strobes and Triggers For Sale

In an effort to bring great products at reasonable prices to our fellow photographers and students, we are now offering the SRs Flash, SRs Small Triggers and SRs Video Lights for sale here at the studio.  I have been using all of these products and have been very impressed and happy with the results.  In a partnership with Scott Robert Lim, we are now selling the above products immediately for purchase.  Details of each of the products are as follows:

SRs Tiny Triggers  $229

The absolute best small format triggers on the market- small, simple, reliable, affordable! Say goodbye to extra cords, trigger caddies, bulky set-ups. Tiny Trigger Set includes 1 Transmitter and 3 Receivers. THIS SET WILL CONTROL UP TO THREE HOT SHOE STROBES OF ANY BRAND.

These triggers have been rigorously tested by professional photographers around the world with rave reviews- outperforming popular modes yet at a fraction of the price. They are extremely dependable and easy to use. Every kit uses four independent channels so each transmitter can control its own flash group.

Technical Parameters:
Transmitter
Receiver
Power Source
23A – Transmitter
AAA x2- Receiver
Outdoor operating distance (open area) > 200 ft
Indoor operating distance > 30ft
Frequency Channels – 4
Operating Frequency – FM 433Mhz
Outdoor Synchronous Speed (open area)- Max 1/500sec
Indoor Synchronous Speed – Max 1/250sec
Instructions Included

This product comes with a limited one year USA Warranty

SRs Strobie 130 Flash  $139

The Strobie 130 is the best affordable compact flash.  It has very powerful GN128 at 35mm with an extremely fast recycle time- better than 4 sec on a fresh set of batteries. This flash will work on any camera with a standard hotshoe in MANUAL MODE. This is not a TTL flash. Perfect for the strobist who wants precise manual control for the ultimate creative lighting set-ups. Flash can also be triggered in slave mode- will fire when it “sees” another flash go off but needs a line of sight in this mode, no trigger necessary.   A durable low cost/high value flash and perfect for multi-light set ups.

Features:

Compact Size
GN128- pro quality power!
Full to 1/64 (7 stops)
Recycle time < 4 sec max with fresh batteries
Scott Robert Flash Guide Calculator- quickly compute flash exposure
Slave mode- will trigger when is “sees” another flash
White bounce card
Diffuser filter for wide angle coverage
Includes: mini flash stand, protective pouch

SRs Killer Video Light   $229

This is an amazing video light that with 126 LEDs perfectly calibrated to 5400k to simulate sunlight. The light is big and soft- perfect for portraits, detail images, etc. This would be the perfect companion for low light, high ISO situations or if you just want to add catchlights in the eyes when shooting in a shaded area. Using a constant light source is the best way to see and set up light because you can see exactly the results you want. Try using this light with a shoot through umbrella or diffuser panel, it will create very soft light and very usable at ISO 800 and above. This is the video light if perfect of the photographer that likes to shoot wide open at very large apertures like 1.4/1.8, etc. Videographers and fusion photographers who shoot video will make use of the this amazing mini light panel that can produce big results. The impressive run time on this light will keep you going for hours instead of minutes as with other popular video lights- say goodbye to heavy battery packs!

Features:
-126 LEDs
-Brightness control dial
-Diffuser panel: Clear and 3600K
-Cold shoe mount
-Power gage- 4 LED indicator
-Multi-power source: AA x 6, CGR-D16S, NP-FJ70, NP-FM55H, NP-F550
-70-90 min run time at full power.
-Mini Stand

This video light is very comparable to popular brands selling for more than twice the price.  It comes with a one year USA warranty.

So drop on in to the studio and check out the next products and they are available for immediate purchase at the SCV Center for Photography.

If you interested in seeing Scott Robert Lim, he will be here on March 12th for Off-Camera Flash workshop from 1pm to 4pm.  Cost is $10 and you must pre-register and pay as a very limited number of seats remain.

Scott Robert Lim Workshop Coming in March 2011

The SCV Center for Photography is pleased to announce that Scott Robert Lim is coming to the studio to present his Off-Camera Lighting workshop on Saturday, March 12th from 1pm to 4pm. Learn Scott Robert’s amazing off camera lighting and glamor posing techniques that has turned him into an international superstar.  Scott will teach his simple techniques using available light and portable strobes that will allow the photographer to create amazing images on location and almost anywhere within minutes. See how to shoot in extreme bright sun and in low light situations, how to find the best light.  Discover how to maximize shooting time to create a variety of stylized images.  He will also have his amazing flash and trigger systems available for purchase.

Scott’s glamor portrait techniques not only work for weddings but for any type of portraiture however we will place an emphasis on fashion and glamor photography.

SPACES ARE GOING FAST.  WE ONLY HAVE SPACE FOR THE FIRST 50 PARTICIPANTS THAT RESERVE AND PAY IN ADVANCE.  COST OF THIS WORKSHOP IS AN AMAZING $10. Your spot will not be reserved until payment is received.  Please call me for additional information (661) 904-2092.