The image “Beauty from Behind” shot in the studio by Mel Carll of the SCV Center for Photography won BEST OF SHOW last night at the Professional Photographers of LA County (PPLAC). The image also was Best in Class and received a Merit award as well.
The image was created while preparing for an upcoming Macro Workshop at the studio.
Fall Into New England – A Photographers Outing
Wed. Oct 6- Sunday Oct 10 Vermont/New Hampshire
Tues Oct 12-Saturday Oct. 16 Maine
Guide: April Bielefeldt
http://www.yourphototravelguide.com/
April Bielefeldt is a nationally-recognized, award winning photographer and current President of Santa Clarita Valley Photographers Association. She has lived in several areas of the country, but New England continues to be her favorite photographic destination. She has led photography sessions in Maine, Vermont, and New Hampshire for the past six years with great success. She has a degree in Fine Art and Design, and has curated both art and photography exhibitions.
Read on – this is an opportunity you shouldn’t miss!
October is not complete without our annual guided photo trip to New England. Autumn in New Hampshire, Vermont and Maine is a feast for the eyes and the senses. The brilliant reds, the early morning frost on the leaves, bright yellow school buses filled with children in bright sweaters, red barns, single lane roads with fallen leaves blown across and the slow morning mist as it drifts through the trees. This is a wonderful sampler of Maine, New Hampshire and Vermont- giving photographers some memorable and saleable images of a Classic New England Autumn.
Each day will begin early to capture the first light and end around 6 pm when we lose the light, followed by a wonderful meal in a local restaurant with foods reflecting the season of fall in New England.
Most of the Photography locations require some walking. Participants can choose when we stop if they want guidance or just be left on their own. Stops include a variety of photographic possibilities including historic buildings, interiors, farm stands, trees, covered bridges, broad landscapes, close up details, people and animals enough to satisfy any photographer. The small group allows for input from photographers and the ability to stop on single lane roads. The pace is structured to allow plenty of time to set up, use different lenses, and see all the details.
As always we are at the mercy of “Mother Nature”. I choose the dates based on what has typically been the best time to capture the color. Of course, the wind goes where it will, so no guarantees. On the other hand, “if you don’t like the weather, just wait five minutes….”
We still attempt to photograph on rainy days, as alternate locations are set up for these occurances. It is important to bring your gear and be ready to photograph! I am a CANON photographer and a variety of Canon Lenses will be available to borrow.
The details? This Year I have split the trip to accommodate those on limited budgets for time and money.
Please contact us soon to join us !! 818-723-7413 April or april@aprilart.com
Find us on Facebook or see our Webpage www.yourphototravelguide.com
Just a reminder that the SCV Center for Photography rents our studio space for your studio projects. We rent in 2 hour blocks. Our rates start at $120 for the first 2 hours and the per hour rate drops as you add additional hours. This rate also includes 1 of our backgrounds. If you don’t have lighting, we can handle that as well with our studio lighting packages. So if you are looking for space to photography that special project, give us a call.
Our space is also available for rent for meetings, classes or corporate training events as well. We have tables and chairs available for meeting rentals as well.
With the weather turning so nice, everyone is grabbing their cameras and heading outside to photograph. Here are a few tips to remember or consider with Landscape Photography:
So get out there and photograph. The weather is great and there are tons of images just waiting to be captured. If you are unsure as to how to start, well then consider a workshop here at the SCV Center for Photography as our instuctors are committed to helping you capture the moments.
With the 4th of July just around the corner, here are some quick tips to get the shot:
Enjoy and have a safe 4th of July weekend.
Review by David Saffir, instructor with SCV Center for Photography
Not too long ago I wrote a review of the Mamyia AFDIII and the Leaf 22MP back. At the time, I felt it was an excellent camera, and I still do.
In this report, I’ll cover my recent experience with another Mamiya camera and digital back: the Mamiya DF body, and the Mamiya DM56 digital back. Since space is limited on the blog, I’ll hit the high points as I see them.
Bottom line: a greatly improved, highly flexible camera body that, coupled with this digital back, delivers superb image quality. I have a few nitpicking suggestions, but overall this camera is impressive.
New Mamiya DF Body and Mamiya DM56Dan Cuny, of Mamiya/Mac Group, came to the SCV Center for Photography in Santa Clarita and provided camera gear for us to use. We started the day with a live demo for a number of photographers from the local area, shooting still life.
The camera feels robust and well made. The viewfinder is big and bright, and the in-viewfinder indicators are easily read. We used two lenses: the 80mm f/2.8 lens supplied with the camera, and a manual-focus 120mm macro lens. The camera is very well balanced with either lens mounted. I’ve found that I can work all day without suffering undue fatigue.
The camera can be used with focal-plane, or leaf shutter lenses. Highest sync speeds are reported up to 1/1600. The DF camera body is compatible with existing 645AFD lenses.
The camera was equipped with a Mamiya DM56 digital back. This back provides excellent resolution, 12 stops of dynamic range, and true 16-bit capture. Color rendered by this back is terrific – vibrant, very accurate, and totally clean.
The large, bright screen on the back makes it easy to view images and manage the controls – although performance in direct sunlight could still be improved.
Autofocus feels appreciably faster than previous camera bodies, and reports from others who have tried this camera confirm this.
We set up a Calumet shooting table, and several monolights. We started out with high-key lighting, but switched later on to a more dramatic approach. The shooting table is ideal for this work, providing a smooth, clean translucent plexi surface that allows totally flexible light placement.
Setting Up At The SCV Center for PhotographyWe shot with the camera tethered to a Mac Book Pro, using the provided 14-foot long Firewire 800 cable. Leaf Capture 11.3 was used to manage capture and image processing.
The Indian bowl we photographed (a personal possession of mine) was initially shot using high-key lighting, with the camera mounted on a tripod. We used a Sekonic hand-held meter to measure exposure, and a PocketWizard Plus to trigger lighting from the camera.
Note the clean contrast lines in the bowl:
High KeyAnd here’s a version with more directional lighting:
Note lack of shadow noiseNote how clean the shadows are; virtually no luminance or color noise. We were using ISO 100, one step (albeit a relatively small one) above base ISO of 80.
I was quite surprised by this; conventional wisdom concerning high pixel density is that shadow noise will be significant – but not in this case. I used virtually no noise reduction in the images shown in this article – although I can’t say for sure that there isn’t some processing going on in the guts of the digital back. Regardless, performance exceeded expectations.
We also shot a still life of some sea shells. Note the rendering of subtle colors, and in the second image, the sharpness and detail. Impressive.
Shot W/ Macro Lens
Shell DetailLater in the testing, I had the opportunity to photograph a model in a studio setting. I often use low-key, dramatic lighting in my personal work. The lighting setup was created by a friend, Ron Brewer – I tweaked it a bit, and this is the result:
The highlight/shadow transitions are clean, and free of noise. Also note the high level of detail around the eye (below). These images are not retouched, other than a basic levels/curves adjustment.
Crop from full portraitThe nitpicks? The thing that bugs me the most is the location of the Auto exposure lock button – it is placed toward the outer side of the camera grip – and I found myself having to adjust my hold on the camera to reach it.
The digital back viewscreen, like just about every one out there, is very difficult to see in bright light outdoors, much less direct sun. It is, however, great in other circumstances. Don’t know if this is a solvable problem; at least Hasselblad provides an LCD view of the histogram on top of the camera grip.
And last, battery life, as with all MF digital cameras I’ve used, is less than I’d like. I realize the battery has to power the guts of the back, and the preview screen, but I’m still blasting through several batteries a day outdoors. If Nikon and Canon can make batteries that go a full day, why can’t the MF manufacturers?
Last but not least:
Say what you will about performance of high-end DSLRs, there’s still a noticeable difference between 14-bit capture and medium format 16-bit capture, in color fidelity and accuracy – and as good as DSLR lenses are now, it’s still true that MF lenses are hard to beat.
The flexibility of the camera is very good – given the sync speed, choice of shutters/lenses, software (Phase One or Leaf), and ergonomics. Whether you shoot weddings, studio, fashion, or landscapes, it’s worth a look. I haven’t shown them in this article, but the images I took on location are just as good as those provided here. (by the way, outside temps were over 100F one day!)
And a parting thought: this latest Mamiya incarnation has a new feeling of sophistication and polish that comes through
every time I pick it up. It’s a shooter’s camera.
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Disclosure: I did not receive any compensation from Mamiya or Mac group in exchange for writing this article.
Last week we had the Mamiya DM 56 digital back in the studio for demo. Below is a initial post from instructor and photographer David Saffir from that demo. Within the next week or so, David will post a full on review of the Mamiya package. For additional information on David Saffir, please head to his blog http://davidsaffir.wordpress.com/
I just received a demo unit of the latest Mamiya medium format camera body and the DM 56 digital back. I’ve already completed one studio shoot, and I plan to be shooting with the camera for the next several days. Look for a review of the camera and Leaf software early next week.
This is a shot of Mel Carll, of SCV Center for Photography, working with the Mamiya in-studio. We’re using a Calumet product table, and a number of studio strobe units. The camera is tethered via Firewire to a Mac Book Pro, running the latest version of Leaf Capture. Note the large on-screen preview, histogram, and other tools. A number of photographers came to the studio for the camera and software hands-on demo, conducted by Dan Cuny of Mamiya/MAC group. More on this setup soon!
Mel Carll shooting in-studio
We currently have 1 of our studio offices available for rent. If interested, please call Mel here at the studio for additional details…… (661) 904-2092
Includes: Private Office, internet access, tons of parking, utilities, and photo studio access time included.
Come experience the Mamiya DM56 Digital Back (56 megapixel), including a Live Demo and Hands-On Photo Shoot with SCV Center for Photography Instructor David Saffir and Dan Cuny of Mamiya, in the studio at SCV Center for Photography on Wednesday, MAY 12, 2010 starting at 10am. For additional information, please call Mel at 661-904-2092.
The SCV Center for Photography is pleased to host the famous Portland Pin-up Photographer Mike Long for a special 2 day workshop on June 13th and 14th 2010. The early-bird cost will be $299 per person until 5/15/10 and then $325 starting on 5/16/10.
For additional details, photos and registration information, go to:
http://portlandpinups.com/LosAnglesPinUpWorkshop.html
Pinned-Up:
Pin-up photography is the year’s hottest genre, and who better to bring your studio up to speed than
Mike Long – owner of Portland Pin-Ups and co-creator or Pindora’s Box.
This two-day, intensive photography and photoshop workshop will feature:
Live Model Shoots – including the AMAZING CHERRY DOLLFACE!
Posing Instruction
Lighting Instruction
How to Promote Pin-Up photography
How to Create that “Pin-up” look and feel.
Hands-on Coaching, and
Unbelievably intensive Photoshop Demonstration and Training
Please Note:
The rate of $299 is an early-bird special rate and is only good thru 5/15/2010. The rate will go up to $325(USD) on 5/16/2010. Get registered now and save!
This workshop is limited to the first 30 people who register through this site. No additional seats will be added. Hotel Accommodations must be booked separately and are not the responsibility of Portand Pin-Ups or Mike Long. Mike Long and Portland Pin-Ups reserve the right to refuse registration for any reason at any time. After booking, this registration may not be cancelled and will not be refunded. You may transfer your space to another participant if needed, but the transaction for transfer is not the responsibility of Mike Long or Portland Pin-Ups. In the unlikely event that this workshop must be cancelled, you will receive a complete refund. After registration, you will receive a confirmation email and receipt. As we move closer to the workshop, you will receive more Pinned-Up information via email.
This workshop is sponsored by Mama Shan’s Digital Goodies, Friday Photo School, ShootSmarter, NoBS Photosuccess and Animoto.